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Find Me Where It Ends

by Cassandra Khaw

A familiar face at the threshold

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Awards & Recognition

  • Author recognition

    By a USA Today bestselling author

    The metadata describes Cassandra Khaw as a USA Today bestselling author; this is an author-level claim, not a be...

AlbakiReads Editorial

A familiar face at the threshold

In Antigone’s family, death takes the form of a black dog. When hers arrives, she welcomes it into her home, and its presence becomes a prompt to examine a life shaped by self-erasure and exhaustion. The supernatural premise gives this horror novel a domestic point of contact: the hound is both an omen and a companion, while Antigone considers what it would mean to stop living for others. The description frames that choice against mortality’s inevitability—and hints that accepting a “good death” carries a cost.

Good fit for readers who enjoy

  • For readers interested in occult and supernatural horror rooted in family lore.
  • For readers drawn to stories about mortality, exhaustion, and the demands placed on women.
  • For readers who like supernatural premises centered on companionship and personal reckoning.

Themes

Mortality and deathFamily loreSelf-erasure and exhaustionCompanionshipChoice and the cost of rest

Based on publisher information and book metadata.

Book overview

A woman wakes up to find the black hound of Death at her front door in this hauntingly beautiful tale from USA Today bestselling author Cassandra Khaw.

Antigone is no stranger to death.

For the women of her family, death always comes in the form of a black dog.

When Antigone's own black dog arrives, she isn't afraid. She invites it inside, where it soon becomes a daily source of companionship and comfort. It also forces her to reflect on the life she's led--the parts of herself she's hollowed out for the sake of others, and the bone-deep exhaustion that's hounded her every step.

Her Death's arrival must be a sign, permission to finally let go. To rest. Because while mortality is inevitable, living is a choice.

But a good death comes at a price.

Also by Cassandra Khaw:
The Library at Hellebore
The Salt Grows Heavy
Nothing But Blackened Teeth
A Song for Quiet
Hammers on Bone
The Dead Take the A Train
(co-written with Richard Kadrey)

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